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98:05
Disc 146:18
1Gilded Goldbergs, Part I, First Set: Aria: G major
3:422Gilded Goldbergs, Part I, First Set: Variation 1: expanding the theme: G
2:273Gilded Goldbergs, Part I, First Set: Variation 2: simple tonal cubism: G-D
1:354Gilded Goldbergs, Part I, First Set: Variation 3: canon at the unison: G
2:455Gilded Goldbergs, Part I, First Set: Variation 4: simply through some keys: G-G
1:556Gilded Goldbergs, Part I, Second Set: Variation 5: vivace à la Scarlatti: C
0:497Gilded Goldbergs, Part I, Second Set: Variation 6: canon at the second: C-A-flat
2:238Gilded Goldbergs, Part I, Second Set: Variation 7: gigue in antiphony: A-flat/C
1:359Gilded Goldbergs, Part I, Second Set: Variation 8: enhanced replay of Variation 1: G
3:4310Gilded Goldbergs, Part I, Second Set: Variation 9: canon at the third: homage to Granger: E-flat
2:1511Gilded Goldbergs, Part I, Second Set: Variation 10: 'robust and a bit gormless' (wrong-note music): B
1:3112Gilded Goldbergs, Part I, Second Set: Variation 11: dreaming: homage to Schubert and Brahms: G
3:0013Gilded Goldbergs, Part I, Third Set: Variation 12: canon at the fourth: E
3:0114Gilded Goldbergs, Part I, Third Set: Variation 13: Cantilena I: double variation with homage to Dowland: G/E-flat minor
9:0215Gilded Goldbergs, Part I, Third Set: Variation 14: energico: A-flat minor
2:0416Gilded Goldbergs, Part I, Third Set: Variation 15: canon at the fifth: G minor
4:24Disc 251:47
1Gilded Goldbergs, Part II, Fourth Set: Variation 16: French Overture and homage to Nancarrow: G sharp minor
6:222Gilded Goldbergs, Part II, Fourth Set: Variation 17: Hungarian cymbalom: homage to Bartók, Ligeti, Kurtág: E minor doïna – homage to Enescu – linking to
3:553Gilded Goldbergs, Part II, Fourth Set: Variation 18: canon in sixths: D-flat
4:254Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat
4:365Gilded Goldbergs, Part II, Fourth Set: Variation 20: vivace con brio: D
1:446Gilded Goldbergs, Part II, Fourth Set: Variation 21: canon at the seventh: G minor
2:317Gilded Goldbergs, Part II, Fourth Set: Variation 22: churchy counterpoint in antiphony: A-flat
2:068Gilded Goldbergs, Part II, Fourth Set: Variation 23: diatonic scrunches (homage to Tippett): F
2:209Gilded Goldbergs, Part II, Fifth Set: Variation 24: canon at the octave: complex journey through some keys: G/G minor-B-flat
2:5110Gilded Goldbergs, Part II, Fifth Set: Variation 25: Cantilena II: G minor
5:4011Gilded Goldbergs, Part II, Fifth Set: Variation 26a: Sarabande: G
1:1412Gilded Goldbergs, Part II, Fifth Set: Variation 27: 'Trio' – canon at the ninth: F
0:4613Gilded Goldbergs, Part II, Fifth Set: Variation 26b: Sarabande resumed: A major/A minor, Rückblick – homage to Schumann – linking to
2:1414Gilded Goldbergs, Part II, Fifth Set: Variation 28: 'Summer afternoon' – hazy trills and tremolos: G
1:3515Gilded Goldbergs, Part II, Fifth Set: Variation 29: Toccata with clusters: F-sharp
3:2416Gilded Goldbergs, Part II, Fifth Set: Variation 30: Quodlibet: traversing all twelve keys, ending D
3:1517Gilded Goldbergs, Part II, Fifth Set: Aria da capo: G
2:41楽曲解説 - Gilded Goldbergs, Part II, Fourth Set: Variation 19: Ländler and trio (brief history of Austro-German music in triple time): B-flat
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