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161:33
Disc 180:38
1Siegfried Idyll, WWV 103
18:252Kinder-Katechismus, WWV 106
2:273Of All Great Musical Compositions... (Examples 1-4)
3:344The Fundamental Symbol... (Examples 5-11)
4:465Returning Now to the Nature Motive... (Examples 6, 12-16)
3:226A Number of Further Motives... (Examples 5, 17-21)
3:177A Second, Much Smaller Family... (Examples 22-25)
2:358So Much for Nature. (Examples 26-38)
7:569The Cause of the Deterioration... (Examples 39-44)
3:3010The Other Transformation... (Examples 45-48)
3:4411Several Other Motives... (Examples 49-52)
2:4712Two Further Motives... (Examples 41, 53-61)
7:1213The Basic Motive Associated With the Spear... (Examples 62-68)
5:1714Along Another, More Complex Line... (Examples 69-72)
2:1215In Act Two of "Walküre"... (Examples 69, 73-75)
2:2116Returning Now to Act Two of "Walküre"... (Examples 76-79)
3:5417Love Is Another of the Central Symbols... (Examples 80-83)
3:10Disc 280:55
1Later in the Same Scene... (Examples 84-87)
2:232Freia's Motive Has Two Independent Segments... (Examples 88-91)
2:013The Label 'Flight'... (Example 92)
0:564When Fasolt, in Scene Two of "Rhinegold"... (Examples 93-98)
5:235A Little Later in This Interlude... (Examples 99-103)
3:016The Other New Motive... (Examples 104-109)
3:337There Are Several Independent Love-Motives... (Examples 110-114)
2:558The Characters in Whose Lives... (Examples 115-120)
5:279One Further Motive Belongs... (Example 121)
1:2510The Sword Motive Recurs... (Examples 122-130)
4:2811Ironically, This Phrase... (Examples 131-135)
2:5812Closely Associated With Gutrune's Motive... (Examples 136-140)
2:2613Here We Come to the End... (Examples 141-146)
3:4314Complementary to This Symbol... (Examples 147-149)
2:1415One Last Central Symbol... (Examples 150-157)
4:5416One Further Motive Connected... (Examples 158-161)
2:5217There Are One or Two Motives... (Examples 162-168)
3:4818These Motives of Alberich and Mime... (Examples 169-171)
2:0719Quite a Number of the Subsidiary Motives... (Examples 172-176)
2:5020Besides This Family of Motives... (Examples 177-180)
2:3121Our Final Example... (Examples 10, 181, 182)
3:5722In the Final Scene of Götterdämmerung... (Examples 181-183)
2:4523Even More Masterly... (Examples 184-188)
4:3124Now If We Return... (Examples 189-191)
2:4725This Masterly Way... (Examples 192, 193)
4:47楽曲解説 - Freia's Motive Has Two Independent Segments... (Examples 88-91)
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