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179:37
Disc 163:11
1Douze Notations: Fantasque, Modéré
0:442Douze Notations: Très vif
0:213Douze Notations: Assez lent
0:514Douze Notations: Rythmique
0:375Douze Notations: Doux et improvisé
0:396Douze Notations: Rapide
0:267Douze Notations: Hiératique
1:048Douze Notations: Modéré jusqu’à très vif
0:579Douze Notations: Lointain, Calme
1:3210Douze Notations: Mécanique et très sec
0:2611Douze Notations: Scintillant
0:3512Douze Notations: Lent, Puissant et âpre
1:2613Première Sonate: I. Lent
4:2314Première Sonate: II. Assez large, Rapide
4:0715Deuxième Sonate: I. Extrêmement rapide
5:2416Deuxième Sonate: II. Lent
10:3917Deuxième Sonate: III. Modéré, presque vif
2:1218Deuxième Sonate: IV. Très librement, avec de brusques oppositions de mouvement et de nuances
9:4919Troisième Sonate: Formant 1: Sigle (unfinished: excerpt from Antiphonie)
0:5020Troisième Sonate: Formant 2: Trope: Commentaire
1:2621Troisième Sonate: Formant 2: Trope: Glose
1:3222Troisième Sonate: Formant 2: Trope: Texte
1:0323Troisième Sonate: Formant 2: Trope: Parenthèse
1:4324Troisième Sonate: Formant 3: Constellation: Points I
0:2625Troisième Sonate: Formant 3: Constellation: Blocs I
3:1426Troisième Sonate: Formant 3: Constellation: Points II
1:4527Troisième Sonate: Formant 3: Constellation: Blocs II
2:5828Troisième Sonate: Formant 3: Constellation: Points III
1:3429Troisième Sonate: Formant 3: Constellation: Mélange
0:28Disc 260:40
1Incises
10:572Une page d’éphéméride
4:263Mirjam Wiesemann in Conversation with Pierre Boulez: Un univers sonore différent – About IRCAM
7:274Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: Still the Domain of Men?
0:415Mirjam Wiesemann in Conversation with Pierre Boulez: Composition: “Inventing the Unknown”
1:546Mirjam Wiesemann in Conversation with Pierre Boulez: Favourite Instruments
0:447Mirjam Wiesemann in Conversation with Pierre Boulez: Everyday Noise Is Just That – Noise
1:158Mirjam Wiesemann in Conversation with Pierre Boulez: Freedom of Expression in Serial Music
2:129Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez’ Sense of Humour: A Passionate Provocateur
1:2210Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez the Maestro – Boulez the Composer
1:1811Mirjam Wiesemann in Conversation with Pierre Boulez: On Collaborating with Frank Zappa
1:3612Mirjam Wiesemann in Conversation with Pierre Boulez: At the Age of 30, One Has Strong Reactions
1:2713Mirjam Wiesemann in Conversation with Pierre Boulez: Control and Chance – Pierre Boulez and John Cage
1:4414Mirjam Wiesemann in Conversation with Pierre Boulez: I Cherish Talent Above All
0:4215Mirjam Wiesemann in Conversation with Pierre Boulez: One Grows Increasingly Isolated
0:2316Mirjam Wiesemann in Conversation with Pierre Boulez: René Char – A Solitary Worker
0:4417Mirjam Wiesemann in Conversation with Pierre Boulez: Antonin Artaud – The All-Encompassing Spectacle
1:0918Mirjam Wiesemann in Conversation with Pierre Boulez: Jean-Louis Barrault, Antonin Artaud and the Theatre of Magic
0:5919Mirjam Wiesemann in Conversation with Pierre Boulez: Musical Vibrations that the Earth Feels
1:4420Mirjam Wiesemann in Conversation with Pierre Boulez: Sometimes One Is Rebelling against the Universe
0:3621Mirjam Wiesemann in Conversation with Pierre Boulez: I Have Kept My Balance
0:3122Mirjam Wiesemann in Conversation with Pierre Boulez: With Age, One Goes Deeper and Deeper into Himself
0:5623Mirjam Wiesemann in Conversation with Pierre Boulez: Early Sketches for Piano: To Be Studied, Not Played
1:3124Mirjam Wiesemann in Conversation with Pierre Boulez: Music Is My Only Talent
0:2825Mirjam Wiesemann in Conversation with Pierre Boulez: On the Piano and His Own Music
2:0526Mirjam Wiesemann in Conversation with Pierre Boulez: My Family Was Not Talented Musically
0:1027Mirjam Wiesemann in Conversation with Pierre Boulez: Music Studies Instead of the École polytechnique
0:4928Mirjam Wiesemann in Conversation with Pierre Boulez: During the War
1:1429Mirjam Wiesemann in Conversation with Pierre Boulez: Jesuit School and Choir
0:5030Mirjam Wiesemann in Conversation with Pierre Boulez: Uninteresting Professors at the Conservatoire
0:3031Mirjam Wiesemann in Conversation with Pierre Boulez: Olivier Messiaen: He Was Inventive
1:0132Mirjam Wiesemann in Conversation with Pierre Boulez: Boulez’ Work at the Collège de France
0:4333Mirjam Wiesemann in Conversation with Pierre Boulez: I Wish Not to Intercede; Everyone Must Find Himself
0:2134Mirjam Wiesemann in Conversation with Pierre Boulez: To Find New Music, One Needs Curiosity
2:0935Mirjam Wiesemann in Conversation with Pierre Boulez: Hermetic Music, Hermetic Private Life
0:3536Mirjam Wiesemann in Conversation with Pierre Boulez: Quotations: Sentences That I Never Spoke
0:5137Mirjam Wiesemann in Conversation with Pierre Boulez: I Will See New Talent
0:4038Mirjam Wiesemann in Conversation with Pierre Boulez: Praise and Criticism
1:0939Mirjam Wiesemann in Conversation with Pierre Boulez: Maybe I Will Return to the Piano
0:47Disc 355:46
1Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Career as pianist
2:042Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Love at First Sight
0:363Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The piano is so rich...
1:144Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Music in the family
2:555Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Greek culture and artistic inheritance
2:246Mirjam Wiesemann in Conversation with Dimitri Vassilakis: A teenager in love with Chopin
2:107Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Self-doubt and artistic development
0:468Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Every artist dreams of Paris...
0:499Mirjam Wiesemann in Conversation with Dimitri Vassilakis: First encounter with contemporary music: Messiaen
1:4610Mirjam Wiesemann in Conversation with Dimitri Vassilakis: First encounter with contemporary music: Boulez
0:3311Mirjam Wiesemann in Conversation with Dimitri Vassilakis: My first concert with Boulez the conductor
1:3112Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Audition with the Ensemble InterContemporain
2:4413Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Breaking Barriers and Curiosity
2:0914Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Incises – A creative mind never rests
3:3715Mirjam Wiesemann in Conversation with Dimitri Vassilakis: A man must be like an arrow...
1:1316Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The audience for contemporary music – then and now
3:0817Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Composers after World War II and today
0:4718Mirjam Wiesemann in Conversation with Dimitri Vassilakis: What is special about Boulez’ work
1:5819Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Boulez as conductor of the Ensemble InterContemporain
0:5020Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Boulez’ works for piano
1:1821Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Playing from memory
3:3322Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The second sonata: Very few pianists are capable of playing it
0:5823Mirjam Wiesemann in Conversation with Dimitri Vassilakis: One must learn how to listen!
2:2524Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Harmony and dissonance: I love both.
2:0425Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Dimitri as performer: I see myself as an actor...
3:5126Mirjam Wiesemann in Conversation with Dimitri Vassilakis: On the good fortune of working with the composer.
2:1127Mirjam Wiesemann in Conversation with Dimitri Vassilakis: How lovely when an artist refuses to reveal everything...
1:2028Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Should a composer accept restrictions?
1:3329Mirjam Wiesemann in Conversation with Dimitri Vassilakis: The future of contemporary music – finding a new language...
1:3830Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Playing the piano – my raison d'être...
1:0931Mirjam Wiesemann in Conversation with Dimitri Vassilakis: Characteristics of a great artist
0:32楽曲解説 - Deuxième Sonate: IV. Très librement, avec de brusques oppositions de mouvement et de nuances
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