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93:45
1Irene, o L’assedio di Messina: Atto II. “Se un mio desir” … “Cedi al duo!”
3:452Irene, o L’assedio di Messina: Atto II. “Ira del ciel”
2:213Ines di Castro: Romanza “Cari giorni” (Ines)
4:094Infelice, op. 94
12:085El poeta calculista: “Yo que soy contrabandista”
2:206La sonnambula: Atto II. “Ah, non credea mirarti”
4:177La sonnambula: Atto II. “Ah, non giunge uman pensiero”
3:228Air à la Tirolienne avec Variations
7:239La figlia dell’aria: “E non lo vedo… Son regina”
7:0110Rataplan
2:2411“Dopo tante e tante pene” (after Rossini’s “Tancredi”)
3:1312I puritani: Atto II. “O rendetemi la speme”
5:1713I puritani: Atto II. “Vien, diletto, è in ciel la luna”
2:4714Clari: “Come dolce a me favelli”
4:3615Amelia ovvero otto anni di costanza: “Scorrete, o lagrime”
2:3216“Prendi per me sei libero” (after Donizetti’s “L’elisir d’amore”)
4:1317Norma: Atto I. “Casta Diva”
6:4218The Maid of Artois – Yon Moon o’er the Mountains
2:4919Il barbiere di Siviglia: Overture / “Una voce poco fa”
5:3520Cecilia Bartoli: Maria interview – How did your fascination with Maria Malibran begin?
0:3221Cecilia Bartoli: Maria interview – What was Maria Malibran’s family background?
1:0222Cecilia Bartoli: Maria interview – How did Maria Malibran represent the spirit of the Romantic age?
0:2823Cecilia Bartoli: Maria interview – What kind of life did Maria Malibran lead?
0:3424Cecilia Bartoli: Maria interview – How influential was Maria Malibran on Romantic composers?
0:2425Cecilia Bartoli: Maria interview – What was so special about Maria Malibran’s voice?
1:0526Cecilia Bartoli: Maria interview – How did the public react to Maria Malibran?
0:5827Cecilia Bartoli: Maria interview – What did Maria Malibran symbolise as a female role model?
1:0228Cecilia Bartoli: Maria interview – If you met Maria Malibran, what would you ask her to sing?
0:33楽曲解説 - Clari: “Come dolce a me favelli”
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