field recording
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4:15
1no caps no masters, well, normally i prefer songs to be Properly Capitalized, especially if its just field recordings and such, there of course many times where i use various forms of CAPITALIZATION in himeko titles so they look aesthetically cool, but these titles are just ramblings and i dont want to impede the flow of these streams of conscious hip-hop
0:552no, despite what one may ponder, this is not a mhzesent tribute, but i will admit that it is indistinguishable, but in reality, i just thought it would be interesting to have a release of random recordings with titles like this, as explored a bit on 10/30
0:043it takes so long for me to actually process my recordings that these wont the see the light of day anytime soon, i wouldn't be surprised if it took until 2023 for these to release, not including stuff like this, is seriously over 1000 recordings to go through on my dr-05, and i have to adjust the volumes and stuff, it takes absolutely forever, and i dont do this everyday either, i should get into a better regiment on it though, oh well
0:134track 4 track four track vore crackwhore touhou more like touwhore ammirite fellas hahaha aphex twin - 4 aphex twin vore jessica walrus drawing loli aphex vore OPAHX ophax oh fuck for fucks sake sake 300 character limit is dumb
0:005i forgot where i was going with track 3 and had lost my way, where i was going with it was the fact that since these tracks will take so long to actually be published (due to me primarily releasing in chonological order), that the titles will basically become time capsules of sorts, well obviously, the songs themselves as well; and yes, my field recordings are songs and music and not non-music
0:196the guy in this kept asking via text if i had audio or not and sending "????" and shit as if he was talking, but as you can hear, he never did, he also had his webcam pointed at his ceiling fan in a dark room, but felt the need to put their arm in the view of the camera to wave hello -- typically i never talk to people in these recordings, not even via text, but right before this recording ends he asked the predictable "f"?, you i replied "yes" then disconnected, (in simpsons bully voice) "haha" -- also, the simpsons is mid
1:237leaving all the silence in so its just occasional clicks, pops, and bits of sound, makes it like a rudolf eb.er song lol -- his stuff is really cool by the way, really pushes the concept of field recordings into "danger music" territory recording japanese bdsm parties and stuff, its cool af (femdom loli hentai miXXX)
0:168i dont really know shit about ireland but do they even say "mate" there repeatedly? this guy seemed like he was just fucking around and probably not actually from there, do i need to consult the breakcore memelord harmful logic on this, also btw (by the way), i was drawing a blank on their name and my first incorrect thought was "evil logic" lol -- anyways, back to the dude in this, he looked like if lil kevo was a snowman and left out in the sun
0:139it was funny when i was putting the tclb stuff out on tsundere violence since it confused so many people and i would get asked why and complaints and stuff, its so funny how it was field recordings of all things were this divisive issue, interestingly though, i feel this project has gotten a lot of the internet scene into field recordings
0:1710this could be used as a drum sound (also, despite what bandcamp says, this isn't 0:01, its 0:00, same with track vore (4), i dont know why their systems cant show "0:00", additionally, 0:00 songs look so ugly on discogs now since its just "0" and not "0:00", also also, the way they do master releases now is annoying and makes it inconvenient to add stuff to collection/wantlist, and no, this isnt a "discogs fascists 2", i am just stating some facts, some street knowledge, also also also, uh, what was i going to say, let me re-read this title so far, well first of all, hopefully discogs fixes those issues before this releases and this title is just an artifact of the past, a long lost civilization, anyways, back to the focus here, oh yeah, john cage's 0'00" isn't actually 0:00 long, what a dork haha, 4'33" is cool though since it makes classical music nerds have to listen to live field recordings, 0'00" is cool though in how it makes these high brow types have to listen to audio shitpost musique concrete and ac
0:0011im not proofreading any title on this release, screw it lol, its more "punk" that way, and as you know, pantsu scum is more punk then you'll cowards who dont even smoke crack will ever be (well i dont either since im straight edge, but you get it) -- anyways, the dude in this recording was wearing some stupid as fuck mirrored guy fawkes mask like he was anonymous or some shit and then just took it off like a dumbass
0:0812normally im not one to really swear much, but there is something aesthetic about these complete shitpost track titles on field recordings, this is the only logical conclusion to dudes in the early 1900s or whatever recording trains and stuff (guess train otaku have always been a thing, cement tea moment) -- train stations are actually one of my favorite places to record, specifically subway train stations, the underground ones in san francisco are really cool because you also get the rumblings of muni in there too, one time when i was at a bart station someone got in trouble for public urination over the intercom but my gear wasn't on, guess that missed recording lives on now in this title, epic
0:1313finally the final track on this total time waste of an ep, oh well, we go again, 13ths time the charm lucky charms cereal or whatever. anyways/anywhoo/anypoo/guesswhatchickenbuttguesswhochickenpoo, its cool this ep ended up with 13 tracks as thats always been a cool number, even if overused, its still cool, i remember as a kid my mom would often make cupcakes to celebrate it at school and the teachers and other kids would always be so insanely confused and say like "normally we don't celebrate this" and other funny resposnes, but they always just let us do it anyways -- honestly i dont know how i even end up making releases like this, its always some idea i get in my head, but always delays what i actually feel like doing, which would be like, watching pripara or playing this konosuba game that i was playing yesterday more (especially since im almost done with it, also, megumin is super cute, EXPLOSION!!!, also one of my megumin figures has come alive and thrown her staff thing twice), but yeah, im honestly j
0:07楽曲解説 - i forgot where i was going with track 3 and had lost my way, where i was going with it was the fact that since these tracks will take so long to actually be published (due to me primarily releasing in chonological order), that the titles will basically become time capsules of sorts, well obviously, the songs themselves as well; and yes, my field recordings are songs and music and not non-music
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